Comments on: Archives, Encoding, and Students, Oh My! http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/ The Humanities and Technology Camp Sun, 03 Jul 2011 20:19:02 +0000 hourly 1 https://wordpress.org/?v=4.9.12 By: Archives, Encoding, and Students, Oh My! | THATCamp CHNM 2011 | Cerisia Cerosia http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-181 Thu, 02 Jun 2011 03:05:39 +0000 http://chnm2011.thatcamp.org/?p=510#comment-181 […] via Archives, Encoding, and Students, Oh My! | THATCamp CHNM 2011. […]

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By: DH at the intersection of research, teaching, and advocacy | THATCamp CHNM 2011 http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-154 Wed, 01 Jun 2011 14:05:53 +0000 http://chnm2011.thatcamp.org/?p=510#comment-154 […] presentation of data. Some of this might be formal work, such as the Omeka research project idea of thowe, or more informal dialogue both in the classroom (Mark Sample’s better backchannel might be very […]

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By: DH and undergraduate research | THATCamp CHNM 2011 http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-148 Tue, 31 May 2011 22:28:42 +0000 http://chnm2011.thatcamp.org/?p=510#comment-148 […] session is in many ways similar to the one proposed by Tonya Howe, Archives, Encoding, and Students, Oh My!”. Indeed, the sort of work I do with students in rare book collections is much like what Tonya is […]

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By: briancroxall http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-135 Tue, 31 May 2011 19:39:29 +0000 http://chnm2011.thatcamp.org/?p=510#comment-135 I love the idea of this class project: getting people to be researchers, builders, and curators all at once. I’d be interested to know what specific hurdles you encountered in the version of the assignment that you already ran…

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By: sarah.werner http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-109 Sun, 29 May 2011 20:14:03 +0000 http://chnm2011.thatcamp.org/?p=510#comment-109 I’m not at all familiar with Omeka, but I’m very interested in the perspective of someone who teaches early modern book history in a rare book library. I’m really lucky in that the fabulous Folger catalogers have created very rich records and that many areas of our collections are known and regularly used. But I’m very interested in ways that students can do primary research and then make that accessible and useful to other scholars. And I do believe that many special collections are underutilized and that the sort of thing you’re describing could not only draw attention to those collections. Count me in!

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By: thowe http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-97 Fri, 27 May 2011 21:14:22 +0000 http://chnm2011.thatcamp.org/?p=510#comment-97 Amanda, how awful is this? I completely missed that plugin–but I certainly will check it out now. My experience with TEI is also limited to projects that others had set up–the EEBO and ECCO encoding projects use exiting DTDs, as far as I can tell. I guess one could use an existing DTD, providing it gives you what you want? At any rate, I’m going to play around with the plugin, and hopefully that will give me some additional ways to articulate what a class archive/encoding project using Omeka would/could look like.

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By: Amanda French http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-56 Thu, 26 May 2011 03:51:51 +0000 http://chnm2011.thatcamp.org/?p=510#comment-56 I’m super-interested in this too, since I’ve been messing around with the notion of using Omeka basically to create a database of texts for a particular project related to poetic form. In my experience, Omeka isn’t all that powerful for handling texts when compared to TEI, but there’s a fairly recent TEI Display plugin for Omeka available at omeka.org/codex/Plugins/TeiDisplay that I’m eager to play with.

The problem I’ve run into so far is that my experience with TEI encoding was limited to working on a project that others set up, so I’d need to figure out how to create a DTD with Roma and so forth before beginning. And my TEI experience is years old, anyway. But any general talk about texts and Omeka, and I’m in.

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By: thowe http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-51 Wed, 25 May 2011 18:42:19 +0000 http://chnm2011.thatcamp.org/?p=510#comment-51 I’m looking forward to some great discussions on this topic… Cathy, I’m really eager to hear about your project, what kind of class you’re integrating an archive into, and what kinds of purposes you see it fulfilling; I’ve mostly used my archive for thinking about how to teach students how do research and contribute to discussion in the full-text and web-searchable environments we now have, given the somewhat limited skills many of my students come in with. I think that card catalogs and print indices were particularly good at helping researchers think clearly about what they were looking for, while being open enough to follow trails and find unexpected connections (is there a way in an Omeka archive to relationships visible?); now, sometimes there’s just a search term and a result, nevermind the rest. Getting students to generate mini-networks for specialized research projects can be a great way of teaching research methodologies themselves, though I admit, I need to think about it more systematically.

Patrick, I you have a definite advantage here! I know the theme offerings and features already available can be tweaked, but it does require a better knowledge of PHP–most instructors interested in Omeka don’t really have that knowledge (like me!). Developing a couple of themes for classroom use would be fabulous, or even a plugin to enable some customization without going into the PHP. For instance, I found it very tough to customize the “add a resource” widget. As you suggest, and as my limited experience confirms, some of the things that students found difficult were more about how to select resources. Perhaps we could think about ways to focus attention in the Dublin Core data or in the contributors’ options on provenance and annotation? Or ways easily to alter the headings/titles/language used throughout the site to accord with pedagogical ends–instead of “collectors,” for instance, “researchers”; altering the help text associated with contributing; building connections; and so on. I haven’t returned to the project since I last taught the class I’d used it with (and now, some things in the class site I’d developed are defunct because I haven’t updated), so I would welcome a brainstorming session about what facets of the record are most useful for students and for what purposes. Of course, this means considering instructional design, too. Exciting!

There’s also a conversation waiting to be had about copyright, fair use, and so on–I’ve uploaded things, for instance, from ECCO, which I’m sure the folks at Gale would be less than happy about…. Sorry for the chaos of/lack of revision in this response–I just wanted to get some thoughts down. Two weeks!

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By: Cathy Saunders http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-48 Wed, 25 May 2011 18:05:36 +0000 http://chnm2011.thatcamp.org/?p=510#comment-48 I’m very much interested in this, especially since I’m working on a project with some parallels for a somewhat-less-advanced research and writing class (about which I will post more anon).

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By: Patrick Murray-John http://chnm2011.thatcamp.org/05/19/archives-encoding-and-students-oh-my/#comment-39 Mon, 23 May 2011 12:57:08 +0000 http://chnm2011.thatcamp.org/?p=510#comment-39 Sounds very fun, especially (to me) the part about what an Omeka site could look like. Omeka-in-the-classroom might call for different designs and themes than Omeka in general? This convo might thereby help us Omekans see it through a new lens.

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